Palette Figure

When I made this sculpture in 1987 I couldn’t help myself from inscribing a little poem into its plainer side. I had chosen to give its two sides as thorough a contrast in treatments as possible; hence, one side got a brilliant burst of contemporary colour and texture, while the other got my signature, tonal/colour/textural restraint, and an original poem.

As the inscribed version of the little poem cannot be read in full from the sculpture, I’ve made the words visible by arranging them in the thumb-hole of this “palette”.

Figure Running

The paper on which the abstract markings were made had some transparency. Then the several pages were chopped randomly and the cuttings assembled and reassembled until they began to evoke a recognizable image, in this instance a male upper torso from behind and to one side. Once a figure had, with my selective choices, more or less created itself, the segments were, one by one, pasted into place on a stiff cardboard; you can actually see and count the individual pieces, and detect the overlaps. The original is about twice up in size to what is viewed here.

A second stage was to photograph and enter it into the computer darkroom and apply colouration. This revealed some gorgeous tones in which the pasted over markings came through as of the opposite part of the colour wheel. The end result is a gorgeous, original, creative piece.

Fillière © Mar 8 2019