
by
fillière
Categories: UncategorizedTags: Art, Beauty, Creativity, Culture, Drawings, Fantasy, Image, Insight, Life, Poem, Poetics
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or: The Simple Geometry of Endearments.

This, a half-year later, was the second and only follow up to the previous drawing.
It is also with mechanical pen on a Japanese printing paper, but this time it’s a male head, not a personality study, but focuses on those parts of the face involved in the sensational act of producing brilliant, flute-like, bird-like, sun lit tones.

Five components, all of different irregular sizes, have been cut with ruler and knife from several different pages of random ink and pen or brush markings. In each instance the markings suggest that they continue outside of its local edges.
The individual pieces are then collaged into a new image which in itself also implies an existence outside of its boundaries. A male torso prototype, or perhaps it’s an alligator lurching after prey, or, it becomes whatever the mind wishes to see though it has obviously gained much from the artlessness of abstractions.
Collage, and abstraction, are now of course both century old artistic techniques but obviously they can still energize one’s imagination, and provide a solid workout for compositional skills.

Fillière © 20th 3 2018
Political satire. Rumour of Humour 4.

If you count the edges of the chopped segments of abstract markings you can find a dozen pieces out of which this image was assembled and pasted down. I think of it as an innovation on a kind of centaur. Great fun to do such a wild compositional search-and-find assemblage.


The way we feed off one another, the way organisms feed off each other is endlessly fascinating.


Rocks, leaves, pottery shards, broken board overturned in search of luminous word that might ease a poem through tension of page …
