Once Upon A Paradigm

Post28B

We all have interlinears, thoughts within thoughts within thoughts.  Ideas that have contrasting / or supplementary / or complementary content.  They can be words.  They can be visuals.  And it doesn’t help the cause of truth to use a lawyer’s reductive logic and pretend perceptions can properly be, or must needs be, reduced to expressions black and white.

Simplicity and complexity dwell in the same house; the same sentence; even within the same phrase: good & evil; love & hate; flesh & bone.  A poem with footnotes is a possibility for these interlinears especially when each footnote itself is also a poem or verse; and rates among other means I have used to vary the structure of poems upon a page.

Post28A

The Brutal Loveliness of Oxidizing Forms

 

Post 27B

Chain. Wheelbarrow. Easel. Bench.  And of these four only the bench is still fully functional. In recent years I’ve reassigned all four into one adjustable aesthetic unit—a backyard assemblage with a prime function as art.  Here are two contrasting pictures which illustrate their service as year round objects of contemplation and display.  The images also show how the mind can use objects as scaffolding or skeletons to receive other oxidized artistic imaginings, meditations, reveries.

Post 27C

Post 27A

Dactyl Addict

Post26A

“Dactyl” for certain word rhythms, and “addict” for my long-term obsession with words.  Also, by association, a Pterodactyl is an ancient flying reptile and serves -like the poem- to provide the “winged flight-fingers” of this poem and its links with themes both distant past and current.

First, here is my original drawing from 1971 with its recently  superimposed poem(2015), followed with a more evolved version of the poem itself (2016).  I fancy it as an interesting disclosure of how a single act of creativity can arrive at varied outcomes & expressions.

Post26B

Post26C